{"title":"Browse Our Inventory","description":"\u003cp\u003eBrowse our entire inventory of secondhand, vintage, rare, unusual, remarkable and wonderful print items: books, journals, anthologies, ephemerals, broadsides, magazines, 'zines, and all the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout the image: This photo shows a member of our team at work late in 2025, building bookshelves for our selling floor at One Wood Place.\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"ravage-snare-by-matthew-carey-salyer","title":"Ravage \u0026 Snare  – Matthew Carey Salyer","description":"\u003ch1 class=\"blurblarge\"\u003e“Tomorrow is knocking out my teeth from within.”\u003c\/h1\u003e\n\u003cp class=\"blurb\"\u003eA songbook of immigration, family lore and self-invention,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavage \u0026amp; Snare\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eseems to have been perpetual from the moment of its composition. Categories of lyric and narrative are dismantled and reconfigured in language that dashes thrillingly from level to level of history and fiction, low register and high. The overall effect is medieval, though the scholastic scope is always tethered to the real-world “Zion of jaundice and tar.” With its priestly humanity and demotic heartiness, this book is the debut of a considerable talent.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle: \u003cem\u003eRavage and Snare: Poems\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eAuthor: Matthew Carey Salyer\u003c\/li\u003e\n\u003cli\u003ePublisher: Pen \u0026amp; Anvil\u003c\/li\u003e\n\u003cli\u003ePlace: Boston\u003c\/li\u003e\n\u003cli\u003eDecember 31, 2019\u003c\/li\u003e\n\u003cli\u003eFormat: Paperback\u003c\/li\u003e\n\u003cli\u003eCondition: New\u003c\/li\u003e\n\u003cli\u003eLength: 92pp\u003c\/li\u003e\n\u003cli\u003eDimensions: 6” x 9”\u003c\/li\u003e\n\u003cli\u003eISBN: 9780991622290\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"blurb\"\u003e\u003cstrong\u003ePraise for the work:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"blurb\"\u003e\u003ca href=\"https:\/\/www.makemag.com\/review-ravage-snare-by-matthew-carey-salyer\/\"\u003eJustin A. Sider\u003c\/a\u003e, reviewing for \u003cem\u003eMake\u003c\/em\u003e: \"The poems in Ravage \u0026amp; Snare are dense, allusive, witty, and quarrelsome ... Salyer’s lines and phrases have a way of making their own effort tangible.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/williambrewer.net\/\" class=\"blurb\" target=\"_blank\"\u003e\u003cu\u003eWilliam Brewer\u003c\/u\u003e\u003c\/a\u003e, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Know Your Kind\u003c\/em\u003e: “‘The men I know are prone to disciplining \/ natural speech around strangers,' writes Salyer, and indeed, his poems—formally agile and wildly musical—read like a record of what happens when a voice is turned inward for decades, even as it grows with the languages of war, history, Catholicism, Irishness, and the Bronx, only to erupt in a lexicon, style, and poetry all its own.”\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/jhennessy.ag-sites.net\/\" class=\"blurb\" target=\"_blank\"\u003e\u003cu\u003eJohn Hennessy\u003c\/u\u003e\u003c\/a\u003e, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBridge and Tunnel\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eConey Island Pilgrims\u003c\/em\u003e: “Journeying from the Bronx to ‘an enormous nerve of the Euphrates' and back, these poems are full of kinetic wit, muscular diction, virtuosic syntax, and impeccable timing. I know of no poet who can simultaneously deliver an idea and an expletive as deftly, as elegantly, whether he's putting the lie to childhood's ‘outer-borough illuminati' and the ‘Lords Temporal and Lords Spiritual \/ of the Cross-Bronx Expressway,' satirizing the ‘Hobbesian, hiving' mode of Hudson-Line commuters, or shouldering and attending to ‘the burden of grace.' Salyer immerses us in ‘the inner world where I am (he is) \/ griever and God' through poems that teem with aural pleasures and precise sensory delights, that are as full of joy in fatherhood as sorrow in the loss of father, and are never far removed from the body, from the confluence of physical and spiritual appetite.”\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/pjerrington.com\/\" class=\"blurb\" target=\"_blank\"\u003e\u003cu\u003ePatrick James Errington\u003c\/u\u003e\u003c\/a\u003e, winner of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe London Magazine\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePoetry Prize: “\u003cem\u003eRavage \u0026amp; Snare\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efastens\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ehere\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eelsewhere\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e, self to family, baroque and mythic to the gritty everyday. But this is no simple yoking together. Salyer's fiercely wrought language reminds us that the ties that bind are only a hair's breadth from entangling, ensnaring, even strangling. Knotted, gnarled, yet at times recklessly tender, each poem is, as we are, tied alive and writhing to the page. As Salyer warns, here even ‘the past \/ has no escape route.'”\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/twitter.com\/ellen_adair\" class=\"blurb\" target=\"_blank\"\u003e\u003cu\u003eEllen Adair\u003c\/u\u003e\u003c\/a\u003e, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCurtain Speech:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e“Words are plastic in Salyer's hands, bending their parts of speech to his layered purpose, and line endings are mines of meaning and subverted expectation. Metaphors constantly accrue in such succession that they seem effortless, creating a rich canvas of overlapping images. Rhythm is always employed in the unforced musicality of the text, while sounds constantly call back on each other—in short, Salyer's poems are replete with that which makes poetry\u003cspan\u003e \u003c\/span\u003e\u003cem\u003epoetry\u003c\/em\u003e, and not just glorified prose.”\u003c\/p\u003e","brand":"Pen and Anvil","offers":[{"title":"Default Title","offer_id":40389425561774,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/cover-9780991622290-220x286.png?v=1641184550"},{"product_id":"erbario-tote","title":"Tote #1: Erbario (2022)","description":"\u003ch3\u003e\"If you have a garden and a library, you have everything you need.\" - Cicero\u003c\/h3\u003e\n\u003cp\u003eThis botanical tote (notable for being the first Bonfire-branded product in our shop history!) features a illustration from a delightful 15th-century \"erbario\" or herbal handbook created in northern Italy. The book contains 192 watercolor paintings of plants, some rendered in a naturalistic style while others boast fanciful patterns, human-like faces, and other fantastical elements. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe do not, alas, have this book available for purchase in our antiquarian section, but we can direct your curiosity to an article about it in \u003cem\u003e\u003ca href=\"https:\/\/publicdomainreview.org\/collection\/erbario-15th-century-herbal\"\u003eThe Public Domain Review\u003c\/a\u003e\u003c\/em\u003e. Besides the informative write-up, \u003cem\u003ePDR\u003c\/em\u003e has provided a marvelous selection of images from that remarkable manuscript, \"with its anthropomorphised vegetation and dragon-shaped roots.\u003c\/p\u003e\n\u003cp\u003eA high-quality scan of the original \u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eerbario\u003c\/em\u003e c\u003c\/span\u003ean be found on the Penn Libraries site, under catalog heading Ms. LJS 419; our image appears on the leaf \u003ca href=\"http:\/\/dla.library.upenn.edu\/dla\/medren\/pageturn.html?id=MEDREN_9958047623503681\u0026amp;doubleside=0\u0026amp;rotation=0\u0026amp;size=3\u0026amp;currentpage=85\"\u003e41r \u003c\/a\u003e(\"r\" here signifying \"recto\", the \"right\" or \"front\" side of a leaf of paper or folio). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003econstructed from 285 gsm (\u003cspan data-mce-fragment=\"1\"\u003e8.4oz) fabric, \u003c\/span\u003e80% recycled cotton, 20% polyester\u003c\/li\u003e\n\u003cli\u003elong handles with geometric design in red\u003c\/li\u003e\n\u003cli\u003einside pocket for storage\u003c\/li\u003e\n\u003cli\u003e14.9 in wide by 16.5 in high (38 x 42 cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"T-Pop","offers":[{"title":"Default Title","offer_id":43062222651566,"sku":"TPO-TOT-NATIV-117-ROU","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/tote-2022-vintage-plant-200w-298h.png?v=1656373436"},{"product_id":"cautionary-verses-hilaire-belloc","title":"Cautionary Verses– Hilaire Belloc","description":"\u003cp\u003eThis is the 1962 illustrated album edition, with the original illustrations by B.T.B and Nicholas Bentley. It is a hardcover in good condition. The\u003cspan data-mce-fragment=\"1\"\u003e dust jacket has wear and has  yellowed with age but remains in good shape. The cover edges are also lightly worn and discolored slightly. The pages yellowed, but clean and readable. There is a sticker from a previous sale on the back of the dust jacket. It is still an excellent reading copy, with a well-maintained binding. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA hilarious classic anthology of moral instruction. \u003c\/span\u003e\u003cspan\u003eIf you are you prone to telling tales or running away then ignore these poems at your peril or you might suffer the same fate as Matilda, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWho told lies and was Burned to Death\u003c\/span\u003e\u003cspan\u003e or Jim, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWho ran away from his nurse and was eaten by a Lion\u003c\/span\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFirst published over a hundred years ago, Hilaire Belloc's tongue-in-cheek poems of moral instruction for children, with amusing illustrations are as sharp, funny and memorable as ever. This 1962 edition contains the works \u003cem\u003eCautionary Tales for Children\u003c\/em\u003e, \u003cem\u003eNew Cautionary Tales\u003c\/em\u003e, \u003cem\u003eThe Bad Child's Book of Beasts\u003c\/em\u003e, \u003cem\u003eMore Beasts for Worse Children\u003c\/em\u003e, \u003cem\u003eMore Peers\u003c\/em\u003e, \u003cem\u003eA Moral Alphabet\u003c\/em\u003e, and \u003cem\u003eLadies and Gentlemen\u003c\/em\u003e, all in one volume.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43138709586094,"sku":"20220069","price":31.89,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/20220069-5911237-200x286.jpg?v=1662501018"},{"product_id":"emily-dickinson-tarot-deck-factory-hollow-press","title":"Emily Dickinson Tarot Deck– Factory Hollow Press","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe present the hard-to-find Emily Dickinson Tarot Deck by Factory Hollow Press, based in North Amherst, MA. Each suit features original work by a different artist and comes in a cloth bag. About the contributors:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePhoebe Harris \u003c\/strong\u003e(swords) is an illustrator living and working in Northampton, Massachusetts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEmily Pettit \u003c\/strong\u003e(pentacles) lives in Northampton, Massachusetts where she edits for Factory Hollow Press; her book, \u003cem data-mce-fragment=\"1\"\u003eGoat In The Snow\u003c\/em\u003e, comes from Birds, LLC.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBianca Stone \u003c\/strong\u003e(wands) is a poet and artist who lives in Brooklyn.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHalie Theoharides \u003c\/strong\u003e(major arcana) lives in Western Massachusetts and studies poetry, wildlife, and other mysteries; her favorite insects are dragonflies and damselflies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHaley Rene Thompson \u003c\/strong\u003e(cups) is a maker who studies poetry in the MFA for Poets and Writers University of Massachusetts Amherst; she lives above a suspect antique shop in Northampton, Massachusetts (of both she is fond). \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe photo shown here comes from the Factory Hollow website listing.\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43142574440622,"sku":"20220086","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/20220086-noisbnDickinson-200x286.jpg?v=1662501889"},{"product_id":"festschrift-for-heinrich-maria-ledig-rowohlt","title":"Festschrift – Heinrich Maria Ledig-Rowohlt","description":"\u003cp\u003eIn this festschrift for a celebrated German publisher's 60th birthday are gathered writings and appreciations from numerous prominent literary figures, including James Baldwin, John Dos Passos, Henry Miller, Claude Gallimard, and Jürgen Becker. Baldwin's reminiscence begins, charmingly, with: \"\"Ledig impressed me, first of all, as not seeming very much like a publisher...\". In various languages: German, English, French.\u003c\/p\u003e\n\u003cp\u003eHardcover. Paper binding and slipcase by Verlagsbuchbinderei Ladstetter, Hamburg. Frontispiece after a handwritten original by Henry Miller. Quarto 27x20 cm; 126 pages; paper over boards with original matched paper slipcase, no jacket in the original. Good condition. On laid paper with watermark. ~20 photographic illustrations on plates. Unmarked, potentially unread. Binding tight. Shelf wear to case, slight crushing on top of binding. Condition: good.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA loose dedication slip before the front pastedown reads \"Zum 60. Geburtstag Heinrich Maria Ledig-Rowohlts überreicht von seinem Verlag\" (\"For the 60th birthday of HMLR presented by his publisher\"). Who was this man? From an obituary in \u003ca href=\"https:\/\/www.nytimes.com\/1992\/03\/15\/world\/heinrich-m-ledig-rowohlt-83-publisher-with-a-storybook-past.html\" target=\"_blank\"\u003eThe New York Times\u003c\/a\u003e: \"Heinrich Maria Ledig-Rowohlt, an illegitimate child who grew up to learn that his father was a prominent German publisher and who eventually took over the company . . . . was fond of telling his life story. It was a Dickensian tale, replete with the unknown father, the belated reunion, the devastation of their business by war, the company's rebirth and his ultimate success in literary circles.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring HMLR's tenure as Publisher of Rowohlt Verlag, the company specialized in American, French and other foreign authors, including Ernest Hemingway, Harper Lee, Philip Roth, Thomas Pynchon, Toni Morrison, Sinclair Lewis, William Faulkner, Thomas Wolfe, Jean-Paul Sartre, Simone de Beauvoir, Albert Camus and Vaclav Havel. \u003cbr\u003e\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43318652534958,"sku":"20220122","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/20220122-noisbnfestschrift-200x286.jpg?v=1662500417"},{"product_id":"my-son-divine-frances-milstead","title":"My Son Divine – Frances Milstead","description":"\u003cp style=\"font-weight: 400;\"\u003eThis remarkable biography-written by Divine's mother Frances Milstead, with Kevin Heffernan and Steve Yeager, the award-winning filmmakers whose documentary film Divine Trash won the Filmmakers Trophy at the 1998 Sundance Film Festival-reveals a never-before-seen side of the internationally renowned actor and drag performer. As she tells of his childhood, their long estrangement, and a heart-warming reconciliation before his death, Frances Milstead brings a mother's love and insight to the story of Glenn Harris Milstead, who would shock his way to international stardom as Divine, the star of John Waters cult films \u003cem\u003eFemale Trouble, Pink Flamingos, Polyester\u003c\/em\u003e, and his breakthrough hit, \u003cem\u003eHairspray\u003c\/em\u003e. Following him as he grows from angelic choirboy to troubled teen to flamboyant adult, this account reconciles for the first time the two sides of Divine-outrageous performer and loving son-as the legendary star's humanity is lovingly and movingly revealed through words and heretofore unpublished photos.\u003c\/p\u003e\n\u003cul style=\"font-weight: 400;\"\u003e\n\u003cli\u003eISBN 1555835945\u003c\/li\u003e\n\u003cli\u003eFirst Edition\u003c\/li\u003e\n\u003cli\u003eCo-authored with Kevin Heffernan and Steve Yaegar\u003c\/li\u003e\n\u003cli\u003ePublished by Alyson Books\u003c\/li\u003e\n\u003cli\u003ePlace of Publication: Los Angeles, California\u003c\/li\u003e\n\u003cli\u003eYear: 2001\u003c\/li\u003e\n\u003cli\u003eTrade paperback\u003c\/li\u003e\n\u003cli\u003eCondition: The pages of this text are clean, unfolded, unmarked, and generously sprinkled with both color and black\/white photographs. The binding is tight. The spine is uncreased. The cover is slightly scuffed from general shelf wear, but otherwise pristine. A sticker from a previous store or owner sits at the bottom right corner inside the back cover. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43329858470062,"sku":"20220134","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/20220134-1555835945-200x286.jpg?v=1662667010"},{"product_id":"the-book-of-common-prayer-the-protestant-episcopal-church-in-the-united-states-of-america","title":"The Book of Common Prayer - The Protestant Episcopal Church in the United States of America","description":"\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eThe Book of Common Prayer\u003c\/em\u003e is the name given to a number of related prayer books in the Anglican and Episcopalian churches. The first edition, published in 1549 under the reign of King Edward VI, was meant as a way to codify the prayers and practices of the Church of England in the after the break with the Roman Catholic Church. It was the first prayer book to include the complete forms of service for daily and Sunday worship in English. In addition to the daily prayers and services, \u003cem\u003eThe Book of Common Prayer\u003c\/em\u003e contained the orders for baptism, marriage, confirmation, anointing of the sick, and funerary services among various readings and biblical excerpts.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThis particular copy of \u003cem\u003eThe Book of Common Prayer\u003c\/em\u003e is an edition made for the Episcopalian Church of the United States of America. While printed in 1893, it is based on the most recent ratified edition at that time from 1789. As the English monarch is the head of the Church of England (aka the Anglican Church), those who practiced Anglicanism in the New World, no longer wishing to be beholden to the kings and queens of England in any way, felt the need to establish a splinter church in the wake of the Revolution. The Episcopalian Church is consequently exceeding similar to yet notable separate from the Anglicans. This copy of \u003cem\u003eThe Book of Common Prayer \u003c\/em\u003ereflects this split and desire for liberty:\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e“But when in the course of Divine Providence, these American States became independent with respect to civil government, their ecclesiastical independence was necessarily included; and the different religious denominations of Christians in these States were left at full and equal liberty to model and organize their respective Churches, and forms of worship, and discipline, in such a manner as they might judge most convenient for their future prosperity; consistently with the constitution and laws of their country.” (from the Preface, p.vi)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eThe Book of Common Prayer: And Administration of the Sacraments and other Rites and Ceremonies of the Church according to the use of the Protestant Episcopal Church in the United States of America; together with the Psalter of the Psalms of David\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCertified by: \u003c\/strong\u003eSamuel Hart, Custodian of the Standard Book of Common Prayer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003e \u0026amp; J.B. Young \u0026amp; Co.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eNew York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinter: \u003c\/strong\u003eEyre and Spottiswoode, Queen’s Printers (London)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1893\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e566pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e7” x 11”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eBlack leather covered boards, pebble texture, with an embossed frame motif on the cover. Cover generally worn with age and use, particularly along the edges. Gilt title on the spine. Gilding on the three exposed the edges of the text block as well. Quarto, the binding is tight and complete. The pages are clean with clear, large print text. No folded or torn pages. There is a small amount of writing in pencil on the back endpapers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43353811779758,"sku":"20220141CAZB","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6804_200x286_5e1c0d33-f642-404a-b9d6-d110e8de6877.jpg?v=1677354162"},{"product_id":"the-geneva-bible-a-facsimile-of-the-1560-edition","title":"The Geneva Bible: A facsimile of the 1560 edition","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction by Lloyd E. Berry\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublished in 1969 by The University of Wisconsin Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrinted in the United States by The Meriden Gravure Co.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSBN 299-05251-6\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBoards covered in red cloth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal unclipped dust jacket\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe overall quality of this copy is very good. \u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eThe pages are crisp and clean, without marks, tears, or folds. The binding is tight. The cover has only minimal shelf-wear to its top and bottom edges. Only the dust jacket shows its age. Crushed slightly in the center, the spine of the dust jacket is tanned from light exposure. There is a 1 in tear at the top of the jacket where the front cover meets the spine, a half inch tear at the center of the front spinal fold, and a larger, 1.5 in tear at the bottom of the jacket where it bends around the cover. Tape has been applied to the underside of the tears to prevent them from growing. The front and back of the jacket are scuffed and discolored, most likely from repeated contact and friction with other books.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFrom the jacket:\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Few translations of the English Bible have been as widely read and as influential as the Geneva Bible”... which “shaped the theology, the literary expression, and the very consciousness of the Elizabethan world [...] It was translated “for the space of two years and more, day and night” by William Whittingham, Anthony Gilbey, and others whom the accession of Mary Tudor had forced into exile at Geneva, then at the height of its ascendancy over the Protestant world. John Knox was there preaching to the English congregation, Calvin was there writing commentaries, and Theodore Beza, one of the most prominent Biblical scholars of the day, was there studying the Greek text [...] The first edition was extremely handsome [...] it was the first Bible to use roman rather than black-letter type, the first to use verse divisions, and the first to use italic type for words not found in the original sources; it included helpful tables, maps, and woodcuts and was composed in quarto, which made it more convenient to handle and carry than the earlier cumbersome folio versions. The Geneva translators combined impeccable scholarship with remarkable felicity of style. [...] The King James translators themselves were much influenced by it and took over many of its readings. [...] The influence of the Geneva Bible is evident in the language of the greatest writers of its time. Unquestionably, it was the version Shakespeare used. From Falstaff’s comically pious catechizing of Prince Hal to King Lear’s dark and thundering lamentations on the frailty of human life, the phrasing of the Geneva Bible can be heard. Language peculiar to the Geneva Bible echoes throughout the plays and attests to Shakespeare’s intimate knowledge not only of the Genevan Scriptures but of the notes as well. The Geneva Bible was also known and used by the two great Puritan writers of the next century—John Bunyan and John Milton.”\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43354537820334,"sku":"20220143","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/20220143-OCLC216898224-200x286.jpg?v=1663191004"},{"product_id":"slips-of-speech-john-h-bechtel","title":"Slips of Speech - John H. Bechtel","description":"\u003cp style=\"font-weight: 400;\"\u003e\"Slips of speech: Who does not make them? The best of us do. Why not avoid them? Any one inspired with the spirit of self-improvement may readily do so. No necessity for studying rules of grammar or rhetoric when this book may be had. It teaches both without the study of either. It is a counselor, a critic, a companion, and a guide, and is written in a most entertaining and chatty style.\"\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e(taken from the advertisement included in the end pages of this book)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eSlips of Speech\u003c\/em\u003e by John H. Bechtel is structured like an etiquette book for spoken and written language in the United States around the turn from 19\u003csup\u003eth\u003c\/sup\u003e century to the 20\u003csup\u003eth\u003c\/sup\u003e. Anyone interested in grammar minutiae, late 1800’s slang, or the natural evolution of language in the past hundred years is sure to be amused. Originally published in 1895, this particular copy was printed in 1913 by the Penn Publishing Company in Philadelphia. It is bound with mossy green cloth covered boards embellished with a deeper green vinelike design. The title is engraved and painted white. The pages are tanned with age but crisp, without fold or tears. The text is clean, no marks or underlines. The is some wear to the top and bottom of the spine as well as the corners of the binding, and the crease where the front pastedown meets the backing material has begun to fracture.\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43470555185326,"sku":"1","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6058condensed.jpg?v=1667660217"},{"product_id":"barchester-towers-anthony-trollope","title":"Barchester Towers - Anthony Trollope","description":"\u003cp style=\"font-weight: 400;\"\u003eOriginally published in 1857, \u003cem\u003eBarchester Towers\u003c\/em\u003e is the second novel in Anthony Trollope’s popular “Chronicles of Barchester” series. Marriage plots, Church of England politics, and village gossip intertwine in this continuation of the story of Mr. Harding and his daughter Eleanor in the beautiful cathedral city of Barchester. High church and low church clash when the popular bishop dies. Factions are formed. Clerical reinforcements are called in on both sides, and the struggle between the different sects of the church plays out amid the romantic entanglements and dramas of the town’s inhabitants. In the end, the results are more than satisfactory for Eleanor and other citizens of Barchester in this witty comedy.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull Title\u003cem\u003e: Barchester Towers: The English Comedie Humanine\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eAuthor: Anthony Trollope\u003c\/li\u003e\n\u003cli\u003ePublisher: The Century Co.\u003c\/li\u003e\n\u003cli\u003eYear: 1903 (title page); 1902 (printing information page)\u003c\/li\u003e\n\u003cli\u003ePlace: New York\u003c\/li\u003e\n\u003cli\u003eIllustrations by Hugh M. Eaton\u003c\/li\u003e\n\u003cli\u003eBinding: The cover is olive drab cloth covered boards. They are in good condition, with the general scuffs and smudges that come with age and general wear along the edges and the creases of the binding. There is a leather name plate affixed to the top of the spine. It is dry and cracking with age. The binding is still tight and whole, but the creases where the paste downs at both the front and the back meet the hinge are fracturing. There is the back half of a library pocket still glued to the front pastedown.\u003c\/li\u003e\n\u003cli\u003ePages: The text pages are clean, no marks or underlines. There are no folds or tears. Pages are only slightly tanned with age. A library stamp is visible along both the top and bottom edges of the text block. The top edge is gilt.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43537102438574,"sku":"20220148","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6132titleplate.jpg?v=1667668057"},{"product_id":"the-turmoil-booth-tarkington","title":"The Turmoil - Booth Tarkington","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e The best-selling book of 1915, \u003cem data-mce-fragment=\"1\"\u003eThe Turmoil\u003c\/em\u003e \u003c\/span\u003eis the first novel of Booth Tarkington’s “Growth” Trilogy, the second novel of which won the 1919 Pulitzer Prize. The novel explores cultural changes of the American Midwest during the Industrial Era. It is set in a small, quiet city--never named but closely resembling the author’s hometown of Indianapolis--that is quickly being transformed into a bustling, money-making nest of competitors more or less overrun by “the worshippers of Bigness.” \u003cem data-mce-fragment=\"1\"\u003eThe Turmoil \u003c\/em\u003eis a narrative of loss and change, a love story, and a warning about the potential evils of materialism. The book chronicles two midwestern families trying to cope with the onset of industrialization.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTarkington believed that culture could flourish even as the country was increasingly fueled by material progress. The Turmoil, the first great success of his career, tells the intertwined stories of two families: the Sheridans, whose integrity wanes as their wealth increases, and the Vertrees, who remain noble but impoverished. Linked by the romance between a Sheridan son and a Vertrees daughter, the story of the two families provides a dramatic view of what America was like on the verge of a new order.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eThe Turmoil: A Novel\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Booth Tarkington\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIllustrated by C.E. Chambers\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Grosset \u0026amp; Dunlap (by arrangement with Harper \u0026amp; Brothers)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: New York\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDate: February 1915\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDedication: To Laurel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBinding: Bound in light blue cloth covered boards with title printed in darker blue ink. The cover is complete with general wear on the edges and the creases at the spine. Six small dots of purple ink are visible on the front cover. The binding is coming slightly loose but is still intact.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eText: The pages are slightly yellowed with age but otherwise clean. There are no marks on the text, and the pages are without folds or underlines. The end pages are coming slightly detached at the crease.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43537201070254,"sku":"20220149","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6133Turmoil.jpg?v=1667673737"},{"product_id":"the-beginners-american-history-d-h-montgomery","title":"The Beginner's American History - D.H. Montgomery","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWritten as part of the \u003cem data-mce-fragment=\"1\"\u003eLeading Facts of History Series\u003c\/em\u003e by D.H. Montgomery, \u003cem data-mce-fragment=\"1\"\u003eThe Beginner’s American History \u003c\/em\u003ecovers the early history of the United States by focusing on a succession of “great” historical figures, spanning from Christopher Columbus to Abraham Lincoln. “Its object is to present clearly and accurately those facts and principles in the lives of some of the chief founders and builders of America which would be of interest and value to pupils beginning the study of our history. Throughout the book great care has been taken to relate only such incidents and anecdotes as are believed to rest on unexceptionable authority” (taken from the Preface). Sprinkled throughout the text are a number of maps and illustrations. Each chapter is broken into smaller, more manageable sections and is followed by a series of comprehension questions meant as an aid for classroom instruction.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eThe Beginner’s American History\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: David H. Montgomery\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Ginn \u0026amp; Company\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1897\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: Boston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIllustrator: C.S. King\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTypography by J.S. Cushing \u0026amp; Co.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: The book is bound with boards covered in a deep red cloth. The title and illustration on the cover are printed in black in but faded with age. Gilt particulars on the spine. There is significant shelf wear to the spine and the edges of the cover. Some scuffing and staining on the cover. The binding is intact but coming loose. The pages of the main block are crisp, not bent or torn, and generally clean. The end pages are more worn, bent, and tanned with age. The front pastedown is cracked along the fold. Some notes have been inscribed in both ink and pencil on both the front and back end pages (including the name Gracie Holbrook of New Port Vermont). A label for Fowler \u0026amp; Colwell Booksellers: 221 West Second St., Los Angeles sits is affixed to the bottom of the front pastedown.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43629016350894,"sku":"20220151","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6197.jpg?v=1670097830"},{"product_id":"selections-from-byron-samuel-marion-tucker","title":"Selections from Byron - Samuel Marion Tucker","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePrinted as part of Ginn \u0026amp; Company’s series of \u003cem data-mce-fragment=\"1\"\u003eStandard English Classics\u003c\/em\u003e, this compilation of the poetry of George Gordon, Lord Byron contains both poems in full and excerpts of Byron’s longer poetical works. \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAs taken from the introduction: “The primary purpose of this book is to give the young reader some insight into Byron’s genius by presenting for study and for reading those of his poems which should make the most immediate appear. For such a purpose much of Byron’s poetry is admirably fitted, since, as a whole, it is not abstruse in its subject matter, is lucid it its expression, and, above all, is spirited and energetic.”\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe text has been compiled and edited by Samuel Marion Tucker, Professor of English at the Polytechnic Institute of Brooklyn. His footnotes and informational interjections are helpful in providing historical context as well as clarification about Byron’s many allusions. He strikes a tone that is friendly, helpful, and bit eager without being overbearing or pedantic. A clear love of Byron shines through in a way that is delightfully unexpected. Tucker truly makes Byron accessible for a wide range of readers regardless of their educational background and familiarity with European history or classical mythology.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eSelections from Byron: Childe Harold, Canto IV, The Prisoner of Chillon Mazeppa, and Other Poems\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEditor: Samuel Marion Tucker, PhD\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Ginn and Company\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1911\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeries: Standard English Classics\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrinter: Atheneum Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: Boston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: Bound in green cloth covered boards with black particulars, this book has some general shelf wear along the edges of the binding, including a particularly noticeable scuffed patch at the center bottom of the front cover.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe binding is tight. The pages of the main text block are clean and crisp. There is a small fold at the bottom corner of the first page as well as a pencil note on p.3. The pages are slightly tanned with age, with the end pages slightly darker than the main text block. \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43630298792110,"sku":"20220152","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6205.jpg?v=1670171289"},{"product_id":"the-paris-book-marian-parry","title":"The Paris Book - Marian Parry","description":"\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn 1952 Ben Shahn said to Marian Parry, Marian, make the most beautiful book you can and I'll take it to Curt Valentin. She made THE PARIS BOOK, which she had conceived of sometime prior to this prompting, and as promised, the book was presented to Curt Valentin who was moved to publish it. Mr. Valentin, who had published several significant, limited edition books in which the writings of poets and novelists were accompanied by illustrations made by contemporary artists, passed away the following year and THE PARIS BOOK was never published. Un-Gyve presented this most beautiful book of watercolours in their exquisite detail exactly as was intended in a limited edition of 333 signed by the artist and now makes it available in this unlimited softcover. THE PARIS BOOK represents Marian Parry's affinity for the city in which she spent the first years of childhood: twenty extraordinary illustrations accompanied by her own hand-lettered prose—the story of an odd bird and his discovery of Paris.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: The Paris Book\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Marian Parry\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Un-Gyve Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: Boston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 2015\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eISBN: 978-0-9829198-5-9\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLCCN: 2013958348\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePaperback\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 22 pages\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 0.2\" x 5.4\" x 7.8\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLanguage: English\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003ca href=\"https:\/\/pursuitist.com\/marian-parrys-paris-book-published-60-years\/\"\u003ehttps:\/\/pursuitist.com\/marian-parrys-paris-book-published-60-years\/\u003c\/a\u003e\u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43638811623598,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6225200.jpg?v=1670696416"},{"product_id":"selections-from-browning-robert-morse-lovett","title":"Selections from Browning - Robert Morse Lovett","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePart of Ginn and Company’s series of \u003cem data-mce-fragment=\"1\"\u003eStandard English Classics,\u003c\/em\u003e this compilation of poems from 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century poet Robert Browning was edited and introduced by Robert Morss Lovett, Professor of English and eventually the Dean of the junior college at the University of Chicago. By no means meant to be a complete rendering of Browning’s works, Lovett focuses this text on the generally shorter poems of the early period of Browning’s career rather than the more long-form peoms of his later work (xxvii).\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLovett celebrates Browning as an exemplary poet for his age, one who lives in the time he is given rather than dreaming constantly of a bygone age. Through his notes and explanations, a true love of Browning’s work shines through:  “All this marks Browning as a representative poet of the nineteenth century. Of all his contemporaries, except Whitman, he is the most completely sympathetic with the life of his time, most comprehensive in his interests, most democratic in his outlook. Other poets of the time preserve the traditions of romanticism with a certain wistful looking backward at earlier and simpler ages. Though, like Tennyson, they deal with the present and its problems, they choose their subjects carefully, as if treading somewhat gingerly the shore of the sea of modern life, a little disturbed by its confusion and noise. Browning, on the contrary, plunges in boldly, delighting in the strong surf and pungent odour. He takes all human life as his province, and treats that life, not only as it is expressed in dignified political institutions like feudalism, and important people like King Arthur, but in individuals of all ages of history, and of every worldly station.” (xvii)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eSelections from Browning\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEditor: Robert Morss Lovett\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Ginn and Company\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1906\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: Boston, MA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeries: \u003cem data-mce-fragment=\"1\"\u003eStandard English Classics\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrinter: Atheneum Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 208pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 4.5” x 6.75”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: Bound in green cloth covered boards with black particulars. There is some shelf-wear, particularly noticeable on the creases at the spine. The endpapers are slightly more tanned with age than the rest of the block. Generally, the pages are clean. There are some small folds along the top edge where the pages appear to have been slightly crushed, as well as folds on the bottom corner of three pages. A grease stain sits between p.6-7 and bleeds through to pages 4 and 9. The binding is tight, and there are no extraneous marks.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43646624694446,"sku":"20220154","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6284_200x286_8bc12ffc-2c94-45ac-920e-304f58509f7f.jpg?v=1670769478"},{"product_id":"tales-of-the-borders-john-mackay-wilson","title":"Tales of the Borders - John Mackay Wilson","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTales of the Border\u003c\/em\u003e is comprised of stories that were originally written for and printed in the nineteenth century serial publication “Tales of the Borders,” active weekly in the UK 1834-1840. Although attributed to John Mackay Wilson, this collection was selected and curated by James Tait, the former editor of the Scottish newspaper the Kelso Chronicle. Wilson, who authored many of the included stories, is primarily significant as the founder of “Tales of the Border.” \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHe was the principal author and driving force of the periodical for the first eleven months of its existence, but his unfortunately early death in 1935 at the age of 31 brought his contributions to an end.\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe remaining issues of “Tales” that came to be published, consequently, were authored by a variety of other writers, many of whom are included in these pages.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHailing from Berwick, the northernmost town in England, both Wilson and his tales take great interest in much contested border between England and Scotland: “The town of Berwick itself is exceedingly rich in Border lore. To the antiquary, it is a place of singular interest. Its situation, its walls and fortifications, its curious steep and narrow lanes, its magdalen (maudlin) fields, and its old bridge of the Tweed (river), are all features attractive and curious in a high degree” (9).\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe joys and sorrows of the people who inhabit this craggy Northumberland landscape are here curated so as to include the most “entertaining” and “instruct[ive]” (v). The result is this beautifully rendered single volume, leatherbound edition.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAs attributed in the Contents, the writers other than Wilson included in this volume are Alexander Bethune, John Bethune, Alexander Campbell, Professor Gillespie, John Howell, Alexander Leighton, Walter Logan, James Maidment, Theodore Martin, Hugh Miller, David M. Moir, Oliver Richardson, J.F. Smith, and a Rev. G. Thomson. These stories have been selected and organized by James Tait, former editor of the \u003cem data-mce-fragment=\"1\"\u003eKelso Chronicle\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eTales of the Borders: With Illustrative Scenes and Incidents\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: John Mackay Wilson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEditor: James Tait\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Gall and Inglis\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLondon\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: approximately 1890\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 539pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 8vo; 6” x 8” 1.75”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: The collection is bound in blue leather. The front cover features a relief embossed scene of a lady on horseback encountering some men as well as a possible farmhouse. The two are connected by flowers. The title is printed in black on a gilt background. An engraved monogram of G\u0026amp;I appears on the back cover. The general shelf wear to the cover is minimal. The pages are clean with no extraneous marks. About 6 pages within the 300s feature small folds along their bottom corners, and the binding is coming slightly loose.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43647847530670,"sku":"20220155","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6293_200x286_75176579-2717-40f5-9fd4-3ff38e63eabd.jpg?v=1670787385"},{"product_id":"mohammed-and-charlemagne-henri-pirenne","title":"Mohammed and Charlemagne - Henri Pirenne","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMohammed and Charlemagne\u003c\/em\u003e, a historical treatise, was written by Belgian medievalist and public intellectual Henri Pirenne (1862-1935). Focusing on the period of European History between the fifth and ninth centuries, Pirenne took up the daunting task of writing in opposition to the prevailing view on the end of the Roman Empire. Rather than focusing on the invading hordes of Germanic barbarians to whom the Fall of Rome is generally attributed, Pirenne’s proposed a map of history where the shape of European society from the Roman Empire to the Dark Ages and the eventually the Carolingians is determined by the Muslim conquest of North Africa.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“This was the crowning achievement of his last years of work. The problem of the end of Antiquity and the beginning of the Middle Ages had always preoccupied him. Before the War, in his lectures on the History of the Middle Ages, he drew attention to the profound traces which the institutions of the late Roman Empire had left upon those of the Frankish epoch. But it was during his captivity in Germany, when, as a prisoner in the camp Holzminden, he organized for the many Russian students who shared his fate, a course of lectures on the economic history of Europe, that the solution of this capital problem seems to have dawned upon him. And during his exile in the village of Kreuzburg, in Thuringia, while he was writing his \u003cem data-mce-fragment=\"1\"\u003eHistory of Europe\u003c\/em\u003e, he emphasized, for the first time, the close relation that existed between the conquest of Islam and the formation of the mediaeval Occident” (from the Preface by Jacques Pirenne, p.9) \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAlthough he clearly poured a great deal of thought and work into this writing, Henri Pirenne did not live to see it published. Jacques Pirenne, the historian’s son, partnered with one of the historian’s former students to edit his father’s manuscript for publication. The first edition was published in French, \u003cem data-mce-fragment=\"1\"\u003eMohammed et Charlemagne \u003c\/em\u003e(1937). The monograph went on to become incredibly influential in the way that history is taught and conceived, and Pirenne’s argument concerning the influences of Arab expansion on the evolution of European society has come to be known simply as the “Pirenne Thesis.” This edition is the fourth impression of the English translation by Bernard Miall, itself taken from the 10\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e French edition.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\"Without Islam, the Frankish Empire would have probably never existed, and Charlemagne, without Muhammad, would be inconceivable.\" – Henri Pirenne\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e  \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eMohammed and Charlemagne\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Henri Pirenne\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: George Allen and Unwin Ltd.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: London\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1965\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEditors: \u003cspan data-mce-fragment=\"1\"\u003eJacques Pirenne and F. Vercauteren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTranslator: Bernard Miall\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrinter: John Dickens \u0026amp; Co. Ltd.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFourth Impression\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLanguage: English\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 293pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 6” x 8.75”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: Red cloth covered boards. The paper jacket is tanned with age but intact under a clear protective library covering. The red dye from the cover has bled somewhat into the top edges of the text block, perhaps from water damage. The library slip and pocket are still within. A Greenwich Library stamp sits on title page. The pages are mostly clean, but there is underlining and\/or notation in pencil on pages 156-57, 265-59, 271, 190-91. There are small top corner folds on 271 and 273 and a small fold and tear on the bottom of p.236. The binding is coming slightly loose. It is mostly intact but there is a fracture between the front endpapers and the main block.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43653512888494,"sku":"20220156","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6321_200x286_4d6399f1-edd8-4a4f-b3f1-bd5dffc60b0d.jpg?v=1671063737"},{"product_id":"camelot","title":"Camelot","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBased on the novel \u003cem data-mce-fragment=\"1\"\u003eThe Once and Future King \u003c\/em\u003eby T.H. White, the Lerner and Leowe musical \u003cem data-mce-fragment=\"1\"\u003eCamelot\u003c\/em\u003e is a classic of musical theater. The 1960 production achieved great success taking Arthurian legend and setting it to music. It ran on Broadway for 873 performances and garnered four Tony Awards. This hardbacked edition for the Fireside Theatre Book Club includes the book and lyrics of the show but not the music.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“The most beautiful and resplendent show in the whole world.”\u003cbr\u003e- John McClain, New York\u003cem data-mce-fragment=\"1\"\u003e Journal-American\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Magnificent. Its songs are lovely and unfailingly right.”\u003cbr\u003e- John Chapman, New York\u003cem data-mce-fragment=\"1\"\u003e Daily News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“It has gaiety and grandeur. Its beauty is almost unbelievable. It can’t miss.”\u003cbr\u003e- Frank Aston, New York\u003cem data-mce-fragment=\"1\"\u003e World-Telegram Sun\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“It ranks with the very best musical hatched in this heartland of musicals.”\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e           - \u003c\/span\u003eRichard Cooke, \u003cem data-mce-fragment=\"1\"\u003eWall Street Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Bountiful with witty melody, eye-filling spectacle and movement, \u003cem data-mce-fragment=\"1\"\u003eCamelot\u003c\/em\u003e scores high for the creating team, Alan Jay Lerner, Frederick Loewe and director Moss Hart.”\u003cspan data-mce-fragment=\"1\"\u003e          - \u003c\/span\u003eWilliam Glover, Associated Press\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eCamelot\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBook and Lyrics: Alan Jay Lerner\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMusic: Frederick Loewe\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Random House\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: New York\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1961\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeries: Fireside Theatre Book Club Edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhotographs by Friedman-Abeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 115pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 5.75” x 8.5”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: The dustjacket is visibly yellowed with small tears and general wear along the edges. There are some graphite scribbles of various sized inside the jacket that may have come from a child. The green cloth covered boards are in great condition. A bookplate with the name scribbled out sits on the front pastedown. The pages of the text are clean with no extraneous marks. Pages 19-34 are slightly crushed along the side edge, and the top edge of the block is colored red.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43659022991534,"sku":"20220161","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6357_200x286_ae9427ef-a82e-4251-a0b3-f0d752b43410.jpg?v=1671297558"},{"product_id":"the-clue-in-the-crumbling-wall-carolyn-keene","title":"The Clue in the Crumbling Wall - Carolyn Keene","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWhen Nancy is asked to find a professional dancer who disappeared several years before, the young detective becomes involved in a mystery reaching far beyond a missing-person’s case. During Nancy’s investigation at Heath Castle, she and her friends Bess and George realize that its crumbling walls contain a secret, but what is it? And who are their enemies that try to foil their every attempt to unravel the intricate puzzle? Danger lurks in a castle tower and throughout the vine-tangled grounds of the estate as Nancy exposes a sinister plot to defraud the dancer of her inheritance.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Clue in the Crumbling Wall\u003c\/em\u003e is the twenty-second volume in the \u003cem data-mce-fragment=\"1\"\u003eNancy Drew Mystery Stories.\u003c\/em\u003e Consisting of 175 volumes published between 1930-2003, the Nancy Drew mysteries were commissioned by the publisher Edward Stratemeyer to be the female counterpart to the \u003cem data-mce-fragment=\"1\"\u003eHardy Boys\u003c\/em\u003e. Although all the Nancy Drew novels are attributed to the writer, a Carolyn Keene, the series was, in fact, written by a series of twenty-eight ghostwriters. \u003cem data-mce-fragment=\"1\"\u003eThe Clue in the Crumbling Wall\u003c\/em\u003e was written by Mildred Wirt Benson. Benson penned twenty-three of the first thirty Nancy Drews. She has been credited with the creation of Nancy’s plucky, adventuresome personality\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eThe Clue in the Crumbling Wall\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Carolyn Keene (\u003cspan data-mce-fragment=\"1\"\u003eMildred Wirt Benson)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Grosset \u0026amp; Dunlap\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1945\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeries: \u003cem data-mce-fragment=\"1\"\u003eNancy Drew Mystery Stories\u003c\/em\u003e (No. 22)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardcover\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFirst edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 217pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 5” x 7.5”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eConditions: The dustjacket is intact. The colors are vibrant, but the jacket itself is worn significantly on the edges and town along the front fold. The blue cloth covered boards are also worn about the edges but in otherwise in good condition. The binding remains tight. The pages are clean—no folds or tears, and the top edge of the text block has been dyed blue. Aside from an inscription written in blue ink on the inside of the front flap of the dustjacket, there are no extraneous marks. The Inscription reads, \"Got January 25, 1961 for my birthday from Judy (Biery) Dick's wife.\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43668596031662,"sku":"20220158CA","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6415_200x286_70f29d52-1777-4876-bde8-ef5534394cdc.jpg?v=1671750248"},{"product_id":"the-whispering-statue-carolyn-keene","title":"The Whispering Statue - Carolyn Keene","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIntrepid detective Nancy Drew returns. Once again, she faces to puzzling mysteries simultaneously. The first concerns a valuable collection of rare books that Mrs. Horace Merriam commissioned an art dealer to sell that may be too good to be true. The second mystery revolves around the baffling theft of a beautiful marble statue. To solve both mysteries, the famous young detective disguises herself and assumes a false identity. Despite these precautions, danger stalks Nancy’s every move. An attempted kidnapping, a nearly disastrous sailboat collision, and an encounter with a dishonest sculptor are just a few of the exciting challenges that Nancy is faced with as she gathers evidence against a clever ring of art thieves.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Whispering Statue \u003c\/em\u003eis the fourteenth volume of the \u003cem data-mce-fragment=\"1\"\u003eNancy Drew Mystery Stories. \u003c\/em\u003eConsisting of 175 volumes published between 1930-2003, the Nancy Drew books were commissioned by the publisher Edward Stratemeyer to be the female counterpart to the \u003cem data-mce-fragment=\"1\"\u003eHardy Boys\u003c\/em\u003e. Although all the Nancy Drew novels are attributed to the writer, a Carolyn Keene, the series was in fact written by a collection of twenty-eight ghostwriters. \u003cem data-mce-fragment=\"1\"\u003eThe Whispering Statue\u003c\/em\u003e was penned by Mildred Wirt Benson. Benson penned twenty-three of the first thirty Nancy Drews. She has been credited with the creation of Nancy’s plucky, adventuresome personality, and is considered by many lovers and collectors as the “truest” of all of Nancy’s ghostwriters.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIt should be noted that the 1970 edition of \u003cem data-mce-fragment=\"1\"\u003eThe Whispering Statue\u003c\/em\u003e differs significantly from the original 1937 version and should be regarded as a revision rather than a simple reprinting.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eThe Whispering Statue\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Carolyn Keene\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGhostwriter: Mildred Wirt Benson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Grosset \u0026amp; Dunlap\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1937\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeries: \u003cem data-mce-fragment=\"1\"\u003eNancy Drew Mystery Stories \u003c\/em\u003e(No. 14)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardcover\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFirst Edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 217pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 5” x 7.5”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: The dustjacket is intact. The colors are vibrant, but the cover itself is worn, cracking, and torn in some places. The blue cloth covered boards are in good condition but with some shelf wear. The binding is tight, and the pages are clean--no tears, folds, or extraneous marks. The endpapers are illustrated. There is an inscription on the inside of the front flap of the dustjacket: \"Got from January 25--Sometime in February. Date not known. Bought with money from my birthday. (1961) ($1 + 4 c tax)\".\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43668646101166,"sku":"20220170CA","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6433_200x286_ce043fc0-8dbb-4a51-9562-cb40f6712c9e.jpg?v=1671753430"},{"product_id":"travelog-sarah-and-alan-scaife","title":"Travelog - Sarah and Alan Scaife","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis volume is a self-published travelog chronicling a 1950 voyage taken by the wealthy Pittsburgh couple Sarah and Alan Scaife. The book details a trip that the society couple took though Africa, the Middle East, and Europe. Much of the journey is by ship, but there are some jaunts by plane and across land as well. As scions of some of the wealthiest families in the United States, Sarah and Alan’s trip is conducted in luxury. \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe places to which they are admitted, the people that they encounter, and the opinions that they express about these things reflect the affluence to which they are accustomed. Black and white photographs appear throughout to help provide extra detail.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCompiled for and distributed amongst their intimates, only 150 copies were made. This particular copy of the \u003cem data-mce-fragment=\"1\"\u003eTravelog\u003c\/em\u003e is number 97 of 150. A card held along a perforated edge sits just before the title page. It is a type written message to the recipient hoping that they find some of the stories amusing as well as asking them not to pass the book around, “making certain that this book does not receive any circulation which would permit those whom we have criticized to read our comments.” The recipient’s name and a “Merry Christmas” have been written in by hand. The book is addressed to “Billy.” Both the front and back endpapers feature a specially drawn map depicting the route of the voyage in red. The map is attributed to Ezra C. Stiles, cartographer.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTitle: \u003cem data-mce-fragment=\"1\"\u003eTravelog: Notes of a trip through Africa, the Middle East, the Mediterranean, and Europe by Sarah and Alan Scaife January-April, 1950\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuthor: Alan Magee Scaife and Sarah Mellon Scaife\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePublisher: Alan M. Scaife\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePlace: Pittsburgh, PA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYear: 1950\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardcover\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLength: 96pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 6” x 9.25”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCondition: The small, self-published volume is bound in a deep navy-blue imitation leather with a gilt title. The cover shows some wear along the edges and along the spine. The pages are generally clean. The binding is still tight. There are no tears or extraneous marks. A small crease sits at the top corner of p.9 where it was once folded down. The pages have some foxing. It is most noticeable along the edges and around the title page.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43687717175470,"sku":"20230001CA","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6450_200x286_3e9211e2-906f-4a9b-8784-177d1639d9a4.jpg?v=1672788863"},{"product_id":"organic-femme-classic-t-shirt","title":"Spooky T-shirt, feminine fit","description":"\u003cp\u003eAlthough spooky season is technically over, we prefer to stay spooky year round.\u003c\/p\u003e\n\u003cp\u003eMade with 100% certified organic, ring-spun cotton, these feminine cut t-shirts deliver both comfort and style.\u003c\/p\u003e\n\u003cp\u003e- Lightweight fabric (4.4 oz\/yd² (149 g\/m²))\u003cbr\u003e- Slim fit\u003cbr\u003e- Tear-away label\u003c\/p\u003e\n\u003cp\u003eOrder one to two sizes up from your normal size for a larger bust and\/or broad shoulders. We recommend measuring the width of a T-shirt you own and love and comparing it to the below size table.\u003c\/p\u003e\n\u003ctable id=\"size-guide\" style=\"min-width: 360px;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"padding: 10px;\"\u003e \u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eS\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eM\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eXL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e2XL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 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fit","description":"\u003cp\u003e\u003cspan style=\"font-size: 16px; caret-color: #1b1e2f; color: #1b1e2f; font-family: Helvetica, 'Helvetica Neue', Arial, 'Lucida Grande', sans-serif; background-color: #faf9f7;\"\u003eAlthough spooky season is technically over, we prefer to stay spooky year round.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMade for supreme softness, these personalized, Econscious unisex t-shirts feature a 100% Certified-Organic, ring-spun cotton fabric. \u003c\/p\u003e\n\u003cp\u003e- Medium weight fabric (5.5 oz\/yd² (186 g\/m²))\u003cbr\u003e- Tear-away label\u003c\/p\u003e\n\u003ctable id=\"size-guide\" style=\"min-width: 360px;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"padding: 10px;\"\u003e \u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eS\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eM\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eXL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e2XL\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eWidth, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e18.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e20.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e22.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e24.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e26.50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eLength, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e27.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e28.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: 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It shows displaced characters scattered across the continent, burdened by fear and homesickness while fighting to live unencumbered by bourgeois ideology. Death stalks at every intersection and on every riverbank. Lives sway in the delirium of wartime. Says Gnade, ‘A friend of mine asked me if I was trying to write ‘American magic realism’ with the book and I didn’t really have an answer for him. If it is, it was an accident’.”\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFrom the 2008 review in the \u003cem data-mce-fragment=\"1\"\u003eCreative Commons\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003ca href=\"https:\/\/creativecommons.org\/2008\/06\/30\/adam-gnade-releases-hymnn\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/creativecommons.org\/2008\/06\/30\/adam-gnade-releases-hymnn\/\"\u003ehttps:\/\/creativecommons.org\/2008\/06\/30\/adam-gnade-releases-hymnn\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle:\u003c\/strong\u003e \u003cem data-mce-fragment=\"1\"\u003eHymn California\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eAdam Gnade\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003eDutchmoney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eNewport, RI\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear:\u003c\/strong\u003e 2008\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrinter: \u003c\/strong\u003eEberhardt Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFirst Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSoftcover\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e200pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e5” x 8”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003ePerfect bound, there is some creasing and cracking around the spine, but the binding is still tight and complete. 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Had I the pen of a ready writer, I could have told my story a hundred times better than I have done; but such as it is, it has been a labour of love to me. Dickens was my great hero—my ‘Chief’ –in the pleasant bygone days when we were ‘on the road’ together—by day and by night, week after week, month after month, right through the English and American tours; and his memory is heroic now that he has gone. His death closed the brightest chapter of my life, and the warmth and vividness of my recollections of that period of his career in which I was privileged to be very close to him are the main explanation and excuse I have to offer for attempting to tell the story with which these pages are concerned. May I venture, in the second place, to hope that the personal references in this book, which I fear are not a few from first to last, will not be thought to have any egotistical purpose? I stood to my ‘Chief’ in the relation of manager, and it is in the managerial capacity, and in that alone, that I have introduced myself, in obedience to the necessities of the narrative.” (taken from the Preface)\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eCharles Dickens As I Knew Him: the story of the reading tours in Great Britain and America (1866-1870)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eGeorge Dolby\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003eT Fisher Unwin\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eLondon\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1887\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEdition: \u003c\/strong\u003ePopular Edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrinter: \u003c\/strong\u003eUnwin Brothers, formerly the Gresham Press, Chilworth and London\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e466pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eSize: \u003c\/strong\u003e5” x 7.75”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis single volume Victorian era octavo, is bound in red cloth covered boards with gilt particulars on the front cover and spine. The cover is scuffed and stained from general shelf-wear and age. The spine is noticeably tanned from light exposure to the point of becoming more brown than red. There is an indentation along the edge of the back board. The binding is coming loose but is still intact. The pages of the block are clean—no extraneous marks or fold\/tears, but they have become slightly brittle. There is what appears to be acid burn on the title page and corresponding page where some loose bits of paper may have been stored. The endpapers are beautifully decorated with a yellow\/green printed pattern of flowers and leaves. An inscription detailing the particulars of a 1924 sale of the book and an embossed library mark are contained within the front endpapers.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43741357998254,"sku":"20230007CA","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6560_200x286_6271620f-bb5d-495c-abb6-76891d51150b.jpg?v=1675365322"},{"product_id":"pskov-icons-irina-rodnikova","title":"Pskov Icons - Irina Rodnikova","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe first translation of this Soviet era art history book into English, \u003cem data-mce-fragment=\"1\"\u003ePskov Icons: 13\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e – 16\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e Centuries \u003c\/em\u003econsists mostly of bright, full color renderings of 150 icons, many of which are rarely seen in the West.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Academician Mikhail Alpatov is a prominent Soviet art historian and a well-known authority on the Pskov school of icon-painting. [...] The book opens with an introductory article by Alpatov which has been written specially for this volume. Presenting a panoramic survey of the Pskov school of painting, its place within the cultural continuum and its links with other branches of art, that author focuses his attention on the classical period of its development. [Also included in the text, an article by Irina Rodnikova] is based on the experiences of collectors, curators, restorers and researchers of icons, the author herself being on the staff of the Pskov Museum. It features the latest opinions on attributions and the evolution of the Pskov style and provides necessary clues to a better understanding of the icons reproduced in the plate section of the book.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAlong with the icons that have been restored and reliably attributed to the Pskov school on the basis of their stylistic traits and documentary evidence, the volume reproduces a number of icons whose subjects and provenance give reasons for including them within the orbit of the Pskov school.” (taken from Flop Copy)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eConsidering the tense and bloody relationship between the USSR and all religions, not just the Russian Orthodox church, the preservation and exploration of these icons as religious, historical, and cultural objects is fascinating in and of itself. That is has been done in such a beautiful and loving manner so close to the fall of the Soviet Union merely adds to the social and political tensions inherent in the existence of this monograph.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003ePskov Icons: 13\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e – 16\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e Centuries\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCatalogue by \u003c\/strong\u003eIrina Rodnikova\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIntroduction by \u003c\/strong\u003eMikhail Alpatov and Irina Rodnikova\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslator: \u003c\/strong\u003eAnne Hansen Staros\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePhotographer: \u003c\/strong\u003eValery Barnev\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor: \u003c\/strong\u003eTatyana Geichenko\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003eAurora Art Publishers\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eLeningrad, USSR\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1991\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHardcover\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e318pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e10” x 14”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003eThe dustjacket is in great condition, its photographs still vibrant. It is protected on the outside by a plastic library cover probably affixed by the Fitchburg Library, the library whose barcode and pocket are included in the endpapers. The pages of the text are clean—no folds, tears, or extraneous marks. The red cloth covered boards and maroon endpapers are in good condition as well.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43748532420782,"sku":"20230006CA","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6521_200x286_ff7ad495-2c9f-4fcc-b96b-2912876f9456.jpg?v=1675461936"},{"product_id":"the-agony-and-the-ecstasy-irving-stone","title":"The Agony and the Ecstasy - Irving Stone","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFamously adapted for a film starring Charlton Heston and Rex Harrison, Irving Stone’s \u003cem data-mce-fragment=\"1\"\u003eThe Agony and the Ecstasy \u003c\/em\u003eis a classic among the biographical novel subgenre.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Florence in the year 1475 was the intellectual and artistic center of the flowering Italian Renaissance. Into this gem-like city-state, ruled by the patron of arts and letters, Lorenzo de-Medici, was born one of the greatest geniuses the world has produced—Michelangelo Buonarroti, sculptor, painter, poet, architect, and engineer. Few artists have matched the grandeur of his conceptions, or the power of his creations. To know his life is to know the history of Italy’s glory. [...]\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHe fought with cardinals, princes, and popes for his precious commissions, made lifelong friends and lifelong enemies, and became known for his frightening \u003cem data-mce-fragment=\"1\"\u003eterribilita. \u003c\/em\u003eHe spent four years lying on his back above the floor of the Sistine Chapel in Rome, painting the ceiling for Pope Julius II to earn the right to carve marble.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eNo body of work was ever created against a more formidable array of prejudice, jealousy, greed, and blind hostility. But Michelangelo was “God’s own child.” His personal life story, told here as a novel, constitutes as forceful a tale of conflict and dedication as his staggering creativity; for he was a universal man, robust in his appetites as well as in his humor, achieving the transition from the terror of the dark ages into the glorious modern era of the Golden Renaissance.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAt the heart of \u003cem data-mce-fragment=\"1\"\u003eThe Agony and the Ecstasy\u003c\/em\u003e is the magnificent story of Savonarola and the fiery background of religious wars, as well as the fierce competitions with such contemporaries as Leonardo da Vinci, Raphael, and the architect Bramante. Irving Stone has taken for his own canvas all the revolutionary turmoil and pageantry of this turbulent epoch, and it is against the panorama of giants that Michelangelo’s life unfolds in a novel as exciting, dramatic, and unusual as the masterpieces he created.” (Flap copy)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Agony and the Ecstasy: the biographical novel of Michelangelo\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eIrving Stone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003eDoubleday \u0026amp; Company, Inc.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eGarden City, New York\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1961\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEdition: \u003c\/strong\u003eFirst Edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength:\u003c\/strong\u003e 664pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e5” x 9.5”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003eThe dustjacket is generally intact, fractured and torn in some places and with some cracking along the folds. The cream cloth-covered boards are in great condition with gilt particulars on the spine. The pages are clean, only slightly yellowed--no extraneous marks or torn pages. Pages 491-504 and 581-586 have folds along the bottom corners.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43752364572846,"sku":"20230008CA","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6605_200x286_ff257ffb-9380-4c4e-bbbe-7f423fe19b2d.jpg?v=1675629770"},{"product_id":"baltics-tomas-transtromer","title":"Baltics - Tomas Tranströmer","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOriginally written in Swedish under the title \u003cem data-mce-fragment=\"1\"\u003eÖstersjöar \u003c\/em\u003e(1974)\u003cem data-mce-fragment=\"1\"\u003e, BALTICS\u003c\/em\u003e is a long form poem by Tomas Tranströmer, winner of the 2011 Nobel Prize in Literature. In this book-length poem, Tranströmer creates a literal and figurative landscape where his family history becomes the psychological, perhaps even the spiritual, history of the poet himself. Time, geography, a family, an island, a country, the labor of seamanship—these elements, and so many more, show a voice whose multiplicities and conjunctions intertwine to resemble something like the layers of a symphony, a symphony of narrative, of the minimal, the liminal, the image, collisions, and fragments. BALTICS, as its plural name suggests, is an experiment in the conflation of time, a theme that has come to define Tranströmer's career as a poet.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSamuel Charters’ 1975 translation from Swedish to English is considered the definitive English version \u003cem data-mce-fragment=\"1\"\u003eBALTICS\u003c\/em\u003e. A revised, bilingual edition of Charters’ translation was issued in 2012.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eBaltics\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eTomas Tranströmer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslator: \u003c\/strong\u003eSamuel Charters\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003eOyez\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eBerkeley, California\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1975\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e41pp, unnumbered\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e25” x 9.25”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003eThe light brown cloth covered boards are in good condition with minimal shelf-wear. The color of the cloth is faded some along the edges and spine from light exposure. The title on the cover is gilt. The boards are slightly warped. A partial Powell’s barcode sits in the front endpapers. The binding is tight, and the pages are clean—no folds, tears, or extraneous marks.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43752387739822,"sku":"20230009CA","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6610_200x286_b2a073f8-d170-4da7-bd5a-1e907724e716.jpg?v=1675635744"},{"product_id":"literate-owl-t-shirt-unisex-fit","title":"Literate Owl T-shirt, unisex fit","description":"\u003cp\u003eThis owl is highly literate.\u003c\/p\u003e\n\u003cp\u003eMade for supreme softness, these personalized, Econscious unisex t-shirts feature a 100% Certified-Organic, ring-spun cotton fabric.\u003c\/p\u003e\n\u003cp\u003e- Medium fabric (5.5 oz\/yd² (186 g\/m²))\u003cbr\u003e- Tear-away label\u003c\/p\u003e\n\u003ctable id=\"size-guide\" style=\"min-width: 360px;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"padding: 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The great car could be an airplane or a boat when she had a mind to. So the Potts took a sea voyage from their English home and, by chance, found a gangster’s hidden cave across the Channel in France.” (from the flap copy)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis book is the first American edition of the beloved children’s novel by Ian Fleming, the creator of the James Bond. Fleming wrote \u003cem data-mce-fragment=\"1\"\u003eChitty Chitty Bang Bang \u003c\/em\u003efor his son Caspar, taking inspiration from a real aero-engined car owned and raced by Count Zborowski in the 1920’s. Originally broken into three volumes with the first published in England on October 22, 1964, the adventure story was the last book Fleming ever wrote. The author did not even live to see its publication, predeceasing it by two months. 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style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003eXL\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e2XL\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eWidth, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e18.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e20.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e22.50\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; 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Born in Berlin in 1904 to a Jewish family, Neumann spent his formative years and education in Germany. He received a PhD in Philosophy from the University of Erlangen-Nuremberg in 1927 and a medical doctorate from the University of Berlin in 1933. Fearing the turn the German government was taking, Neumann and his wife Julie moved to Tel Aviv in 1934, where he practiced analytical psychology until his death in 1960. Neumann ascribed to the Jungian school of thought and was a frequent lecturer at the C.G. Jung Institute in Switzerland. Other works by Neumann include \u003cem data-mce-fragment=\"1\"\u003eThe Origins and History of Consciousness\u003c\/em\u003e (1949), \u003cem data-mce-fragment=\"1\"\u003eThe Great Mother \u003c\/em\u003e(1955), and \u003cem data-mce-fragment=\"1\"\u003eDepth Psychology and a New Ethic \u003c\/em\u003e(1949).\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe work listed here, \u003cem data-mce-fragment=\"1\"\u003eArt and the Creative Unconscious\u003c\/em\u003e, consists of four essays on the psychological aspects of art. A study of Leonardo da Vinci examines the expression of the Mother Archetype in his work and the way in which art was an instrument for expressing his internal life rather than an end goal in and of itself. Two other essays, “Art and Time” and “Creative Man and Transformation,” explore the often fractious relationships the artist and their art can have with the time in which they create\/are created. The fourth essay is a study of the artist Marc Chagall and his relation to some of the problems discussed in the other studies.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eArt and the Creative Unconscious: Four Essays\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eErich Neumann\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTranslator:\u003c\/strong\u003e Ralph Manheim\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003ePrinceton University Press\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003ePrinceton, NJ\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1969\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEdition: \u003c\/strong\u003eBollingen Series (volume 61)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePrinting\u003c\/strong\u003e: Second printing with biographical revisions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e232pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLCCN: \u003c\/strong\u003e588984\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e25” x 8.25”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003e The dustjacket is in very good condition and is protected by a clear mylar sleeve. The red and black cloth covered boards are in good condition though lightly soiled. The binding is tight. Pages are crisp and clean—no folds, tears, or extraneous marks.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43779461578926,"sku":"20230042CA","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6787_200x286_3ca6e79c-f745-42f9-b299-f4b8026400d1.jpg?v=1676825999"},{"product_id":"norway-s-c-hammer","title":"Norway - S.C. Hammer","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAn early 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century travel book featuring thirty-two watercolor prints, \u003cem data-mce-fragment=\"1\"\u003eNorway \u003c\/em\u003eis a celebration of the titular country:\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Mr. Hammer is an authority on Norway, an experienced traveler, and \u003cem data-mce-fragment=\"1\"\u003eTimes \u003c\/em\u003ecorrespondent in Oslo. He has made a general survey of the country for the traveler, with particular regard to scenery, architecture, historical traditions, customs and manners, sports and wild life. In descriptions of cities like Trondhjem, Bergen, and Oslo, the story of ancient and modern Norway is readably summarized. The breadth of interest of the book is indicated by such chapters as those on the early British travelers in Norway, and on the spirit of Norwegian literature and art. Mr. Heaton Cooper is at his best in his water-colours of Norway, and from his long experience of painting in that country has known where to find the most delightful subjects for his brush.” (Back Copy)\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003eNorway\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAuthor: \u003c\/strong\u003eC. Hammer, M.A\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eIllustrator: \u003c\/strong\u003e Heaton Cooper\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePublisher: \u003c\/strong\u003e \u0026amp; C. Black, Ltd.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003ePlace: \u003c\/strong\u003eLondon\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eYear: \u003c\/strong\u003e1928\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEdition: \u003c\/strong\u003eFirst edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eSeries\u003c\/strong\u003e: Black’s Popular Series of Colour Books\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eFormat: \u003c\/strong\u003e8vo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLength: \u003c\/strong\u003e196pp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDimensions: \u003c\/strong\u003e5” x 8.25”\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCondition: \u003c\/strong\u003eThe dustjacket is in fine condition. It is somewhat tanned and faded with age, also brittle and cracked along the edges. A dark brown discoloration at the bottom of the front is probably acid burn damage. A clear mylar covering and paper backing protect the jacket. The cornflower blue cloth covered boards are in very good condition, little wear along the edges. A pattern of two repeating shields is embossed on the front and spine. The titles on the front are in dark blue, and those on the spine are gilt. The publisher’s monogram is embossed on the back. The binding is tight. The pages are generally clean—no tears or extraneous marks. The first ¾ of the text block is slightly warped along the top corner. There is some light foxing and soiling along the edges. An acid burn, probably from a book mark sits on the half title page. A letter length inscription in black in dating to 1929 sits in the front end papers as well as a probably unrelated blue owner’s stamp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43794691227822,"sku":"20230053CA","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6847_200x286_25e6f51d-66c2-4726-a499-d766e137d3ad.jpg?v=1677446846"},{"product_id":"faroese-short-stories-hedin-bronner","title":"Faroese Short Stories - Hedin Brønner","description":"\u003cp style=\"font-weight: 400;\"\u003e“These colorful stories show the range of imagination and artistic technique developed by the tiny population of the Faroe Islands. Isolated on their eighteen rocky isles in the storm-swept North Atlantic, these descendants of Norwegian Vikings have preserved a language closely related to Old Norse and literary traditions handed down by word of mouth since the days of the sagas [and] medieval popular ballads. But hundreds of years of close political affiliation with Denmark have also brought cultural cross currents from the Continent, one of the more important of which is the development of fiction, a relatively recent occurrence in the Faroes.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe stories in this volume deal largely with conditions in the early part of the twentieth century, when dramatic changes in the Faroese way of life were bringing a period of cultural hibernation to a close. The unsophisticated miniature world that forms the background intensifies the focus on human problems and human ways that are also common to the more sophisticated world at large. In addition, the ever-present, violently shifting Faroese nature, playing its eternal role of giver and taker of life, provides conflict, tension, and excitement and allows many eccentric characters to appear real and convincing.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eMost of the authors represented here are new to the English -speaking public, but Heðin Brú and William Heinesen are already known to many readers.” (from flap copy)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eFaroese Short Stories\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eHedin Brønner\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eTwayne Publishers; The American-Scandinavian Foundation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eNew York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1972\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition: \u003c\/strong\u003eFirst Edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e267pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e5” x 8”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eDustjacket in fair condition, mostly intact but quite brittle. Some pieces of the top and bottom of the dustjacket are missing, particularly around the spine. The blue plastic covered boards are in good condition. They are gently worn, but they are significantly discolored in green\/yellow mottled pattern possibly caused by a chemical breakdown in the plastic (not mold or light damage). The shield of the Library of Scandinavian Literature is embossed on the front cover. The pages are generally clean—no tears or extraneous marks. Some pages have been folded, and there is some staining on the edges of the text block. A bookplate from 1979 has been affixed to the front pastedown.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43815851163822,"sku":"20230054CA","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6880_200x286_cecd971b-13cc-44c3-8a52-0e5fa6e372c2.jpg?v=1678218433"},{"product_id":"the-adventures-of-tom-sawyer-mark-twain","title":"The Adventures of Tom Sawyer - Mark Twain","description":"\u003cp style=\"font-weight: 400;\"\u003e“If Mark Twain had never written another book but \u003cem\u003eTom Sawyer\u003c\/em\u003e he probably would have retained the same claim to immortality, for never has a story more perfectly captured the pranks, pains and sheer joy of boyhood.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eTom Sawyer grew up in a little town called Hannibal, Missouri, which nestled on the banks of the Mississippi River. He lived with his Aunt Polly who had a waspish tongue and a heart of gold, had his first crush on pretty Becky Thatcher and got into elaborate mischief with his great companion, Huckleberry Finn. Actually, however, his story could just as well have happened in any town or city where a spirited boy looks around for adventure and generally lands in trouble.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eFor more than fifty years, generations of boys and girls and their mothers and fathers have chuckled over Tom’s misadventures. When you read how Tom managed to escape from the job he hated most—whitewashing the fence—of how he ran away from home and turned up again at his own funeral, you’ll understand again why this is one of the great American books of all time.” (flap copy)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eThe Adventures of Tom Sawyer\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eMark Twain (Samuel Langhorne Clemens)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIllustrator: \u003c\/strong\u003eDonald McKay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eGrosset \u0026amp; Dunlap\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eNew York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1946\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition: \u003c\/strong\u003eIllustrated Junior Library\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e304pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e5” x 8.25” x 1.13”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eThe dustjacket is in great condition for its age: the colors are bright, the spine is only slightly tanned from light exposure, and the general wear and tear is limited to its edges and along the folds. The DJ is price clipped. The boards underneath are covered in bright red cloth and are in great condition, practically pristine. “MT” is embossed on the front cover, and the titles on the spine are gilt. The pages are clean and crisp—no folds, tears, or extraneous marks. Both the front and back endpapers are illustrated with the fence painting scene from the novel.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43821604339886,"sku":"20230067CA","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6914_200x286_7853a4eb-272f-450a-ab5b-3aa1f4deae23.jpg?v=1678402750"},{"product_id":"fairies-and-folk-of-ireland","title":"Fairies and Folk of Ireland","description":"\u003cp style=\"font-weight: 400;\"\u003e“The story which runs through and makes up the bulk of this book is my own. The intention has been, however, to make it conform to the laws governing certain beings commonly regarded in this country as mythical, as those laws are revealed in the folk-lore of many peoples, and particularly of Irish people. Almost every incident in which the fairies are concerned might occur, and very many of them do actually occur, in Irish folk-lore. But in a real folk-tale there are usually only two or three, or, at any rate, only a few, of the characteristic incidents, while this story attempts to combine many of them.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe shorter stories wherewith the main story is interspersed are all, to the best of my information and belief, genuine Irish folk-tales. I have told them in my own way, of course. I have sometimes condensed and sometimes elaborated them, but I have seldom, if ever, I think, materially changed their substance.” (from the introduction, p.xi)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eFairies and Folk of Ireland\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eWilliam Henry Frost\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIllustrator: \u003c\/strong\u003eSydney Richmond Burleigh\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eCharles Scribner’s Sons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eNew York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1900\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition: \u003c\/strong\u003eFirst Edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e290pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e5” x 7.5” 1.36”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eThe original green cloth-covered boards are in fair condition—intact, speckled with yellow spots, tanned to a light tobacco color on the spine, and worn and frayed about the edges. The engraved title and author on the front cover shine with aged gilding. The gilt titles on the spine are significantly faded but still visible. A subtly printed illustration of an elf\/gnome\/being resting on a hill with their chin in their hand is just visible on the front cover. Two pink streaks, possibly highlighter, run down the back cover. The binding has come slightly loose. The first endpaper after the front pastedown is missing. A large crack runs down the hinge of the front pastedown, and a slightly larger one runs down the hinge of the back pastedown. Foxing of varying degrees runs throughout the text block. There is some soiling and some pencil marks as well as some small folds and tears. An inscription in black ink sits on the front pastedown.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43823790227630,"sku":"20230066CA","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6893_200x286_b0796da0-665e-4715-8ed9-6b535de66aa6.jpg?v=1678477991"},{"product_id":"the-maine-woods-henry-david-thoreau","title":"The Maine Woods - Henry David Thoreau","description":"\u003cp style=\"font-weight: 400;\"\u003e“Nearly a century has passed since Thoreau paddled the length of Moosehead in his birchbark canoe heading for the headwaters of the Allegash and the white water of the East Branch of the Penobscot River. To those familiar with the north woods of the State of Maine this new edition of an old favorite will be like a breeze laden with the smell of balsam. To those who are not, this account of Thoreau’s excursions in the watersheds of the Kennebec, the Penobscot and the St. John will prove a welcome revelation.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThis new edition which departs from the traditional framework originally given to the book—not by Thoreau himself but evidently by his literary executors—has been recast in order that the reader may accompany Thoreau around the whole swing of the Ktaadn country, instead of on the three separate overlapping trips.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe artist, Henry B. Kane, who is well known to all lovers of Thoreau, has drawn his illustrations with complete fidelity to the text and a wealth of imaginative understanding. The text arrangement of the three trips has been skillfully and reverently put together by Dudley C. Lunt, who on successive occasions has covered practically all the waterways and terrain visited by Thoreau a century ago.” (flap copy)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eThe Maine Woods\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eHenry David Thoreau\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIllustrator: \u003c\/strong\u003eHenry Bugbee Kane\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eDudley C. Lunt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eBramhall House\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eNew York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1950\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e340pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e75” x 8.5” x 1.25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eThe dustjacket is in good condition—lightly tanned and warn about the edges but largely intact. A clear mylar cover protects the dustjacket. The golden yellow cloth-covered boards are in great condition. The binding is tight and complete. The pages are crisp and clean—no tears or extraneous marks. One or two of the pages have been dogeared.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43823998009518,"sku":"20230068CA","price":17.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6927_200x286_9b129b32-d956-486e-9270-b9b9d077220e.jpg?v=1678485104"},{"product_id":"two-pamphlets-on-race-relations","title":"Two Pamphlets on Race Relations","description":"\u003cdiv\u003e\u003cspan\u003eThis listing consists of the booklet \u003cstrong\u003e\u003cem\u003eLegislation and Race Relations: a summary of the main South African law which affect race relationship\u003c\/em\u003e\u003c\/strong\u003es as well as its \"companion booklet\", A\u003cstrong\u003e\u003cem\u003ection, Reaction, and Counteraction: a review of the Non-White opposition to the apartheid policy, counter-measures by the Government, and the eruption of new waves of unrest.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom the introductory note to \u003cem\u003eLegislation and Race Relations\u003c\/em\u003e:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 40px;\"\u003e\n\u003cem\u003e“The object of this pamphlet is to present a factual summary of the laws that bear on race relations [in South Africa]. [¶] Details of the various measures have inevitably had to be omitted; but it is hoped that the summaries will prove useful as a source of reference. [¶] Pre-1948 legislation has been separated from [those] that passed since. There are two reasons for this. The first is that measures introduced in the earlier period were of an ad hoc nature. After 1948 the legislative programme introduced to implement the policy of separate development (usually known as apartheid) had a more clearly defined pattern.\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNotes on condition: Both booklets are first editions and in very good condition. Bright yellow (card) softcover. L\u0026amp;RR has a stapled spine; some wear and cracking at the spine in addition to the general scuffing from shelf wear. AR\u0026amp;C is perfect-bound with six internal staples. It has light general wear and scuffing as well as more noticeable wear and fraying at the spine. Both booklets have clean pages with no folds, tears, or extraneous marks. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAuthor: Muriel Horrell, Research Officer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher: South African Institute of Race Relations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePlace: Johannesburg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYear: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePage Count: L\u0026amp;RR 68pp; AR\u0026amp;C 120pp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 5” x 8.38” x 0.25”; 5.5” x 8.38” x 0.25”\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNotable provenance; association copy. Each booklet bears an ink ownership inscriptions on the title pages: “Marilee Karl \/\/ 244 McGiffert.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKarl (1941-2024) was a U.S. civil rights activist, global feminist organizer, author, and founder of feminist organizations. She co-founded Isis International in 1974, one of the first international feminist NGOs, dedicated to advancing women’s communication, knowledge-building, political organizing, collective learning, and transformative leadership. Originally established in Rome, Italy, Isis International later expanded its presence to Geneva, Switzerland; Santiago, Chile; Kampala, Uganda; and Manila, Philippines. Her work was characterized by a focus on feminist analysis of women’s roles in development, the amplification of feminist voices in the Global South, and collective action addressing issues such as food security and natural resource management. She was also an advocate for peace, emphasizing the role of women as peace-makers. In recognition of her contributions, Karl was included among the 1,000 women nominated for the Nobel Peace Prize in 2005.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWe speculate that \"244 McGiffert\" might refer to a room in McGiffert Hall at Union Theological Seminary.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWe prefer to sell these items as a set; please inquire for pricing if you wish to buy only one or the other title. \u003c\/strong\u003e\u003c\/div\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43825919918254,"sku":"20230040CA","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/files\/preview-900.jpg?v=1776371286"},{"product_id":"an-irishmans-difficulties-with-the-dutch-language-cuey-na-gael","title":"An Irishman's Difficulties with the Dutch Language - Cuey-na-Gael","description":"\u003cp style=\"font-weight: 400;\"\u003eA humorous bilingual book about the difficulties of navigating a language not one’s own, \u003cem\u003eAn Irishman’s Difficulties with the Dutch Language\u003c\/em\u003e tells the tale of an Irish academic’s travels in the Netherlands. Although he is very confident with his dictionary and phrasebook, none of his attempts to converse in Dutch go quite the way he would like. Unfortunately there are no footnotes or translations featured, so a reader must be conversant in both English and Dutch to get a full picture of the humor within:\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e“I witnessed a street dispute one evening. It was about herring, I think, but really couldn’t follow the one thousandth part of that vigorous debate. Picturesque idioms were bandied to and fro; happily no harm was done. One could not help noticing that the Grammar-book was right. Jij and jou were freely employed, and the disputants did not once address each other as U or UEdele. On that occasion there was another epithet or pronoun or interjection, which none of my previous studies had at all prepared me for. Turning it up in the dictionary as well as I could, I learnt that it might be translated by ‘lightning,’ and that it was an ordinary noun. Next day I enquired of Enderby if the word for lightning could ever be employed as an interrogative particle or a pronoun. He was horrified and said ‘Please don’t be vulgar.’” (p.35)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eAn Irishman’s Difficulties with the Dutch Language\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eCuey-na-Gael\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eM. Bredée’s Boekh\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eRotterdam, Netherlands\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1928\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition: \u003c\/strong\u003e8\u003csup\u003eth\u003c\/sup\u003e Edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e125pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e6” x 8.25” x 0.75”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eHardcover, original khaki cloth-covered boards are in good condition—slightly worn about the edges, spine significantly tanned and soiled, and with a small amount writing at the top of the front cover in pencil. The front cover bears a striking illustration of an Irishman and a Dutch woman conversing, engraved and printed in black, white, and orange ink. The binding is tight. No pages are missing. The endpapers are very tanned. The main text block is generally clean but dotted with foxing marks. There are no folds, tears, or extraneous marks.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43827266551982,"sku":"20230072CA","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/products\/IMG_6982_200x286_b5fcf4bc-e774-4287-a256-855a69affd9a.jpg?v=1678637337"},{"product_id":"the-concept-of-brahma-s-p-basu","title":"The Concept of Brahma - S.P. Basu","description":"\u003cp style=\"font-weight: 400;\"\u003eA scarce work of religious and textual studies from an esteemed Indological publisher in Delhi. Covers the period 900-1200 AD.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003e\u003cem\u003eThe Concept of Brahma (Its Origin and Development)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor: \u003c\/strong\u003eP. Basu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher: \u003c\/strong\u003eSundeep Prakashan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage\u003c\/strong\u003e: English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlace: \u003c\/strong\u003eDelhi, India\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear: \u003c\/strong\u003e1986\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength: \u003c\/strong\u003e383pp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions: \u003c\/strong\u003e5” x 9.63” x 1.25”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN: \u003c\/strong\u003e9788185055992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-weight: 400;\"\u003eFrom the flap: \u003c\/p\u003e\n\u003cp style=\"font-weight: 400; padding-left: 40px;\"\u003eThe present book is [the] author’s thesis entitled, ‘\u003cem\u003eThe Concept of Brahmā—its origin and development’ \u003c\/em\u003ewhich was examined by Dr. H.D. Sankalia, Dr. A.L. Basham and Dr. K.K. Dutta Shastri and on which the author Dr. S.P. Basu had been awarded [a] Ph.D. Degree in Arts by the University of Calcutta on August 1984. While tracing the hierophantic origin of the God Brahmā in the Vedas, the author makes “a very comprehensive and thorough survey of the subject”. The interdisciplinary study of the concept of Brahmā from the points of view of Sociological and Anthropological, Archaeological and Historical, Philosophical and Astro physical disciplines may be taken as a brilliantly original approach to the problem of the concept of Brahmā which has always been determined in relation to the concepts of Visṇu, Nārāyaṇa, Sūrya, and Śiva.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400; padding-left: 40px;\"\u003eSince the study is associated with the cosmic creator god of the Hindus, discussion of the subject from the point of view of modern Astro-physics has crept in. Different cosmological concepts of the ancient Hindus have been compared with various theories of modern Astro-physics on the origin of the universe viz. Big-Bang theory, theory of Pulsating Universe. Original Sanskrit texts relating to these problems are extensively quoted from the Vedas, the Upanishads, Puranas and other Sanskrit literatures to make the present study a compete ‘\u003cem\u003eSource Book’. \u003c\/em\u003eThis is the special feature of the book.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe dustjacket, deep rust and golden yellow, is in good condition with significant wear about the edges. The coating is beginning to delaminate and curl up along those same edges. The wine-red cloth covered boards are in good condition, with wear and sun-bleaching along the top and bottom edges. The binding is tight. No pages are missing. The pages are clean — no folds, tears, or extraneous marks. Bookseller notes on flyleaf in ink and pencil, along with a round purple ink stamp for academic publisher Motilal Banarsidass, \"Delhi-7\". Sundeep price sticker on front DJ flap. \u003c\/p\u003e","brand":"Bonfire Bookshop","offers":[{"title":"Default Title","offer_id":43836159983790,"sku":"20230074CA","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/files\/preview_9b503e32-f756-448c-940b-2eb7360366b5.jpg?v=1742392312"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0579\/0679\/0574\/collections\/header-one-wood-2025-2044-x-600.jpg?v=1775508093","url":"https:\/\/bonfirebookshop.com\/collections\/bookshop.oembed?page=2","provider":"Bonfire Bookshop","version":"1.0","type":"link"}